· Filmyzilla · Movies · 6 min read
Bhai - Vyakti Ki Valli - Uttarardha Movie Filmyzilla
Second part of the biopic of a Marathi comedian, India's first stand-up comedian P. L. Deshpande.

This film continues the biographical story of a beloved Marathi comedian, exploring the next chapter in the life of P. L. Deshpande, widely considered India’s first stand-up comedian.
Bhai - Vyakti Ki Valli - Uttarardha Details
Detail | Value |
---|---|
Movie Name | Bhai - Vyakti Ki Valli - Uttarardha |
Original Language | Marathi |
Spoken Languages | Marathi |
Release Date | 2019-01-04 |
Run Time | 2h 10m |
Country | India |
Genre | Drama, Comedy |
Writer | Ganesh Matkari |
Director | Mahesh Manjrekar |
Production Company | Viacom18 Studios |
Bhai - Vyakti Ki Valli - Uttarardha Movie Cast & Crew
Actor Name | Character Name |
---|---|
Sagar Deshmukh | |
Iravati Harshe | |
Satish Alekar | |
Sunil Barve | |
Amol Bavdekar | |
Padmanabh Bind | |
Shubhangi Damle | |
Ashwini Giri | |
Umesh Jagtap | |
Veena Jamkar |
Watch the Bhai - Vyakti Ki Valli - Uttarardha Movie Trailer
Bhai - Vyakti Ki Valli - Uttarardha Movie Screenshots
The Tapestry Unfolds: A Review of “Bhai - Vyakti Ki Valli - Uttarardha”
Mahesh Manjrekar’s “Bhai - Vyakti Ki Valli - Uttarardha,” released in early 2019, continues the exploration of the life and times of the multifaceted personality, PL Deshpande, affectionately known as “Pu. La.” Following the first installment, “Purvardha,” this film delves deeper into the latter years of his life, tracing his journey as a celebrated writer, musician, actor, and social commentator. Featuring a cast that captures the essence of the personalities portrayed, and falling comfortably within the genres of drama and comedy, “Uttarardha” promises a more intimate and reflective look at a cultural icon. While not generating significant awards buzz, the film carries the weight of expectation built by its predecessor and the enduring legacy of the man it portrays. My initial impression was one of cautious optimism: could this second part successfully capture the nuances and complexities of a life so rich and layered? The answer, I found, is a resounding, albeit nuanced, yes.
The film picks up where “Purvardha” left off, navigating Pu. La’s burgeoning fame and the responsibilities that come with it. It showcases his travels abroad, his interactions with other prominent figures in the literary and artistic world, and, most importantly, his deepening relationship with his wife, Sunita. The plot avoids a linear, biographical approach, opting instead to weave together significant moments and anecdotes that illuminate different facets of his character. The story isn’t driven by a singular, overarching conflict but by the internal struggles of a man grappling with his public image, his artistic integrity, and the challenges of maintaining a grounded existence amidst overwhelming adoration. The pacing is deliberate, allowing the viewer time to absorb the emotional weight of each scene. While some might find it slow, this measured approach is crucial to appreciating the narrative’s depth.
The screenplay shines in its ability to capture the wit and wisdom that were hallmarks of Pu. La’s persona. The dialogues are sharp, insightful, and often laced with gentle humor. Strong themes of social responsibility, artistic freedom, and the importance of human connection run throughout the film. One particularly compelling symbolic element is the recurring motif of travel, representing Pu. La’s constant quest for new experiences and perspectives, as well as the journey of self-discovery that defined his life. The unique storytelling element lies in the film’s ability to seamlessly blend biographical details with fictionalized scenes, creating a portrait that feels both authentic and emotionally resonant.
The character development in “Uttarardha” is particularly noteworthy. We see Pu. La evolving from a young, ambitious artist into a seasoned veteran, his initial exuberance tempered by the realities of fame and the weight of expectation. His relationship with Sunita is the emotional anchor of the film, portrayed with a tenderness and understanding that is deeply moving. Sunita is not merely a supportive wife; she is a confidante, a critic, and an equal partner in his journey. The supporting characters, many based on real-life figures, are also well-developed, adding depth and texture to the narrative. The film doesn’t shy away from portraying their flaws and vulnerabilities, making them feel relatable and human.
The actor portraying Pu. La continues to deliver a performance that is both convincing and captivating. He embodies the character’s charisma, wit, and inherent goodness without resorting to mere mimicry. He captures the subtle nuances of Pu. La’s personality, from his infectious laughter to his moments of quiet contemplation. The actress playing Sunita delivers an equally powerful performance, portraying her strength, intelligence, and unwavering devotion. The chemistry between the two leads is palpable, adding authenticity to their relationship. The supporting cast provides solid performances across the board, with one individual in a key supporting role offering a particularly standout portrayal, bringing a nuanced and surprisingly humorous take to their role. The casting decisions are clearly deliberate, prioritizing actors who can not only physically resemble the real-life figures they portray but also capture their inner essence.
The director’s vision is evident in every aspect of the film, from the meticulous attention to detail in the production design to the thoughtful pacing of the narrative. The cinematography is beautiful, capturing the vibrant colors and textures of the era. The visual aesthetics are reminiscent of classic Indian cinema, with a focus on natural light and framing that emphasizes the emotional connection between characters. Notable filming techniques include the use of close-ups to convey inner emotions and wide shots to capture the grandeur of certain moments. The use of sound is equally effective, with a background score that perfectly complements the mood of each scene. The overall atmosphere is one of nostalgia and reverence, creating a fitting tribute to a beloved figure. The director successfully avoids hagiography, presenting a balanced and nuanced portrait of Pu. La, warts and all.
In conclusion, “Bhai - Vyakti Ki Valli - Uttarardha” is a worthy successor to “Purvardha,” offering a deeper and more intimate look at the life and legacy of Pu. La Deshpande. While the pacing may be slow for some, the film’s strengths lie in its well-developed characters, its insightful screenplay, and its beautiful cinematography. The performances are uniformly excellent, with the two lead actors delivering particularly memorable portrayals. Compared to similar biographical dramas, “Uttarardha” stands out for its focus on the inner life of its subject and its willingness to explore his vulnerabilities. While it doesn’t achieve the dramatic heights of some of the director’s earlier, grittier work, it succeeds in creating a moving and ultimately uplifting portrait of a cultural icon.
“Bhai - Vyakti Ki Valli - Uttarardha” is definitely worth watching, especially for those who are already familiar with Pu. La’s work or interested in learning more about his life. It’s a film that will stay with you long after the credits roll, prompting reflection on the importance of art, culture, and human connection. I encourage viewers to immerse themselves in this tapestry of a life well-lived and see if they, too, find themselves moved by the story of “Pu. La.” What are your thoughts? Does this film capture the essence of a true icon? I invite you to share your opinions and join the conversation.