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Badnaam Movie Filmyzilla
Following his release from prison, an outlaw with a tragic past challenges a ruthless crime boss for control of the local alcohol black market.

Get ready for a gritty, action-packed story of redemption and revenge. This film plunges into the dangerous world of organized crime, where a recently freed convict, haunted by a troubled history, finds himself locked in a fierce battle for power with a cold-blooded criminal kingpin who rules the local underground alcohol trade. The stage is set for a high-stakes showdown where loyalty is tested, and survival is far from guaranteed.
Badnaam Details
Detail | Value |
---|---|
Movie Name | Badnaam |
Original Language | Punjabi |
Spoken Languages | Punjabi |
Release Date | 2025-02-28 |
Run Time | 2h 48m |
Country | India |
Genre | Drama, Action, Crime |
Writer | Jassi Lokha, Siddharth-Garima |
Director | Maneesh Chandra Bhatt |
Producer | Gaurav Bhatia, Jag Boparai, Ravi Boparai, Jassi Lohka, Dixit Sahni, Mohit Sharma |
Badnaam Movie Cast & Crew
Actor Name | Character Name |
---|---|
Jai Randhawa | |
Jasmin Bhasin | |
Mukesh Rishi | |
Nirmal Rishi | |
Vrajesh Hirjee | |
Samual John | |
Anita Meet | |
Kulvir Soni | |
Davvy Singh | |
Sukhwinder Chahal |
Watch the Badnaam Movie Trailer
Badnaam Movie Screenshots
A Shadow of the Past: A Review of “Badnaam”
Maneesh Chandra Bhatt’s “Badnaam,” released on February 28th, 2025, promised a gritty delve into the underbelly of society, a potent blend of drama, action, and crime anchored by a strong ensemble cast including Jai Randhawa, Jasmin Bhasin, Mukesh Rishi, Nirmal Rishi, and Vrajesh Hirjee. While the film didn’t sweep the awards season, its steady box office performance suggests it resonated with audiences eager for a morally complex narrative. Prior to watching, expectations were high for a film that tackled challenging themes with both visceral action and nuanced character development. “Badnaam” largely delivers on this promise, though not without a few stumbles along the way.
The film centers around a man haunted by a past he desperately tries to outrun. He is seemingly living a quiet life, a stark contrast to the violent events that have shaped him. However, this carefully constructed facade begins to crumble when a series of events forces him back into the very world he tried to escape. The narrative follows his struggle to protect those he cares about while confronting the demons of his past and navigating a treacherous landscape of crime and corruption. The plot thickens with the introduction of a determined investigative journalist seeking to uncover the truth behind the protagonist’s past, and a ruthless antagonist whose ambition and thirst for power threaten to destroy everything in his path. The story avoids excessive exposition, choosing instead to slowly reveal the complexities of the protagonist’s history through flashbacks and subtle character interactions.
The screenplay shines in its creation of moral ambiguity. There are no clear-cut heroes or villains; each character operates within a grey area, motivated by their own set of beliefs and desires. The pacing is generally well-managed, with moments of intense action interspersed with quieter, more reflective scenes that allow the audience to connect with the characters on a deeper level. However, the middle act occasionally suffers from a slight lull, where the plot meanders before regaining its momentum towards the climax. The film explores themes of redemption, forgiveness, and the cyclical nature of violence. The motif of shadows, both literal and metaphorical, is consistently used throughout the film, representing the protagonist’s past and the darkness that threatens to consume him. This symbolism adds layers of meaning to the narrative and elevates it beyond a simple crime thriller.
The protagonist, a man wrestling with inner turmoil, is the emotional anchor of the film. His journey from a hardened individual to someone seeking redemption is convincingly portrayed. He carries the weight of his past with a palpable intensity, making his struggle relatable despite the extreme circumstances. The female lead, the determined journalist, is equally compelling. She’s not a damsel in distress but a strong, independent woman driven by a desire for justice. Her interactions with the protagonist are complex and layered, evolving from suspicion and mistrust to a grudging respect and, eventually, something deeper. The antagonist, a powerful and ruthless figure, embodies the corrupting influence of power. While the character is somewhat stereotypical, the actor delivers a chilling performance, imbuing him with a menacing presence.
The supporting cast also delivers solid performances. The protagonist’s mother, played by a veteran actress, provides moments of warmth and humanity amidst the violence. Her performance is subtle yet powerful, conveying the deep love and concern she has for her son. The antagonist’s right-hand man, a loyal but conflicted individual, adds another layer of moral complexity to the narrative. Overall, the performances are nuanced and believable, elevating the film beyond its genre conventions. The actor portraying the protagonist brings a quiet intensity to the role, conveying a sense of haunted vulnerability beneath a tough exterior. The actress playing the journalist showcases a steely determination and intelligence, making her character a compelling force within the narrative. A standout performance comes from the actor portraying the antagonist’s henchman. He brought a surprising level of depth and internal conflict to the character.
Maneesh Chandra Bhatt demonstrates a clear vision in his direction of “Badnaam.” The film’s visual aesthetic is dark and gritty, reflecting the moral decay of the world it portrays. The cinematography is particularly noteworthy, with striking use of shadows and light to create a sense of unease and foreboding. The action sequences are well-choreographed and visceral, but they are not gratuitous. They serve to advance the plot and reveal the characters’ desperation. The director makes effective use of close-ups to capture the actors’ emotions, drawing the audience into their inner world. The film’s sound design is equally impressive. The background score is haunting and atmospheric, enhancing the tension and drama. The use of diegetic sound, such as the sounds of the city and the protagonist’s labored breathing, adds to the film’s realism and immersiveness. The director masterfully creates an atmosphere of suspense and intrigue, keeping the audience on the edge of their seats until the very end. The camera work, especially during the action sequences, is dynamic and engaging, but never feels overwhelming or disorienting. The use of slow-motion is employed sparingly, but effectively, to highlight key moments of violence and emotion.
“Badnaam” is a compelling crime drama that explores the themes of redemption, forgiveness, and the consequences of violence. While the plot occasionally meanders and some of the characters are somewhat stereotypical, the film is ultimately elevated by its strong performances, impressive cinematography, and thought-provoking themes. It is not a groundbreaking film, but it is a well-crafted and engaging piece of cinema that should appeal to fans of the genre. Compared to other films tackling similar themes, “Badnaam” distinguishes itself through its nuanced character development and its focus on the moral ambiguity of its characters’ actions. The director’s previous work showcased a similar penchant for exploring complex moral dilemmas, and “Badnaam” further solidifies his reputation as a filmmaker willing to tackle challenging subjects.
Ultimately, “Badnaam” is a worthwhile watch for those seeking a gritty and thought-provoking crime drama. It’s a film that stays with you long after the credits roll, prompting reflection on the choices we make and the consequences they have on ourselves and others. The film is not without its flaws, but its strengths far outweigh its weaknesses. I would recommend it to anyone interested in a well-made and emotionally engaging film that explores the darker aspects of the human condition. What did you think of “Badnaam?” Share your opinions and interpretations of the film in the comments below.